Terry Allen

Terry Allen joined the Law School as the inaugural Race, Place and Equity Fellow as part of the University-wide Mellon Foundation-funded program. With more than a decade of interdisciplinary training, his research focuses on the role of police, and the law governing police, in the lives of students across U.S. public schools. Allen’s teaching interests span several fields foundational to the study of constitutional law, education law, criminal procedure, remedies, and race and the law. Allen previously earned a J.D. and Ph.D. in education and information studies from UCLA, an M.A. in education policy from Columbia University and a B.A. in rhetoric from the University of California, Berkeley. During this time at UCLA, he served as the editor-in-chief of the UCLA Law Review. Allen has also worked in various research capacities at organizations such as Meta, RAND Corp., the U.S. Department of Education and the U.S. Government Accountability Office. After his undergraduate studies, Allen interned at the White House and served as an advance associate for the Obama administration. See full profile here.

Anneleise Azúa

Anneleise Azúa is a Rising Scholars Postdoctoral Fellow in the Department of American Studies. Azúa received her Ph.D. and M.A. in American Studies from the University of Texas at Austin, and her bachelor’s degree in Communication and Gender Studies from the University of Southern California. Her research focuses largely on Texas, Mexico, and the ways humans, plants, and the land create history and culture together. Her work largely investigates the science of plant medicine and healing in Texas and Mexico, and its complex relationship with the environment, colonialism, and transnational understandings of race. She is also working on a food project that investigates the rise of Tex-Mex food popularity in the Nordic countries. From 2021-2023 she held a postdoc in anthropology in the Department of Comparative Cultural Studies at the University of Houston. In 2021, she was a Fulbright EDUFI fellow in the Department of Cultures at the University of Helsinki (Finland). From 2018-2020, she served as a fellow and researcher in the Division of Medicine and Science at the Smithsonian National Museum of American History.

Jessica V. Forrester

Jessica Forrester is a RPE Postdoctoral Fellow working directly with Youth-Nex and the Youth Action Lab in the School of Education and Human Development. Prior to joining the University of Virginia, Jessica earned a Ph.D. in STEM Education from the University of Minnesota as well as a Bachelors and Masters degree in biomedical engineering. Her dissertation research combined her interest in STEM engagement with justice-oriented practices in education to create culturally responsive mathematics activities for an after-school tutoring program in North Minneapolis. Specifically, qualitative and community-based approaches were utilized to acknowledge community assets and in turn value those assets during mathematical learning to influence students’ identity development, skills development, criticality, and joy.

While a doctoral student, Jessica earned two University-wide and equity-based fellowships: the Diversity of Views and Experiences (DOVE) Fellowship and the Leadership in Equity, Inclusion, and Diversity (LEID) Fellowship. She was also involved in the Josie R. Johnson Engaged Dissertation Fellows Program (University of Minnesota) and the Emerging Engagement Scholars Workshop (Engagement Scholarship Consortium), both of which focused on the development of community engaged scholars. These fellowships and organizations embody Jessica’s scholarship and research interests, which are centered in action-oriented methodology, community engagement, and equitable advancements in mathematics education. In addition to mathematics education research, Jessica explores equity and justice through youth participatory action research and mentoring networks.

John Handel

Olanrewaju Lasisi

Olanrewaju Lasisi is a Mellon Race, Place, and Equity Postdoctoral Research Associate at the University of Virginia School of Architecture, in the Department of Architectural History. His research explores the complex relationship between astronomy, architecture, ritual, and power within the Yoruba cultural landscape. He brings together methodologies from architecture, ethnography, performance genre, archaeology, oral history, and archaeoastronomy, weaving an interdisciplinary framework that offers fresh perspectives on architectural spaces and their cultural, historical, and astronomical significance. Lasisi is currently working on two book projects. The first, "Yoruba Archaeoastronomy," dives into the methodological exploration of ancient astronomy in indigenous societies, using Yoruba as a case study. It elucidates how practices of observing the heavens were encoded in Yoruba architecture and indigenous hermeneutics such as ritual movements, toponyms, and oral poetry. His second book, "Architecture of Ritual Movements," recontextualizes our understanding of physical architecture by emphasizing the enduring nature of ritual movements as architectural elements in their own right.

Before joining the University of Virginia, Lasisi was a Garden and Landscape Studies Junior Fellow at Dumbarton Oaks and an NEH Fellow at the Center for Advanced Spatial Technologies, University of Arkansas. He earned a Ph.D. and a Master's degree in Anthropology from William & Mary, where his doctoral work earned the Distinguished Dissertation Award. He also holds a Bachelor's degree in Archaeology from the University of Ibadan. As the primary investigator of the Ijebu-Ode Archaeological Project, his research has been recognized and supported by esteemed organizations, including the Wenner-Gren Foundation, Mellon Foundation, American Council of Learned Societies, National Endowment for the Humanities, Washington Explorers, and Dumbarton Oaks, amongst others. See full profile here.

Rashana Lydner

Rashana Vikara Lydner holds a Ph.D. in French and Francophone Studies with a Designated Emphasis in African and African American Studies (African Diaspora Studies) from the University of California, Davis. She earned her Bacherlor’s degrees in French and Spanish with a minor in Psychology, and her Master’s in French from the University of California, Davis. Her work mainly focuses on a transnational approach to the study of Black Popular Culture in the Caribbean basin (Francophone/Anglophone) at the intersections of language, identity and power. At the core of her research is her passion for Creole languages in the Caribbean. Her work highlights how speakers of Creole languages continue to challenge dominant language ideologies and embrace their multilingualism.

Research interests: Creolistics (the study of creole languages); Contact Linguistics, Language and Racialization; Language and Globalization; Language, Gender, and Sexuality; Black France; Caribbean Identity; Black popular culture (Music, social media, etc.), African Diaspora Theory; Black and Third world Feminist thought; Queer Theory. 

Sarah Orsak

Sarah Orsak is a scholar of feminist disability studies. She uses literary and cultural analysis to investigate the imbrications of disability, race, gender, and nation. Orsak’s current research project investigates how disability has cohered as an identity and category of analysis linked to whiteness in the contemporary United States. This research foregrounds how racist ideas of Black womanhood structure dominant ideas of disability.

Sarah Orsak holds a PhD in Women’s, Gender, and Sexuality Studies from Rutgers University—New Brunswick and her work has been supported by the Mellon Foundation and the Rutgers Center for Research on Women.

Ana Ozaki

Erica Sterling

Erica Sterling is a Rising Scholar Postdoctoral Fellow in the History Department. Her research focuses on the history of education law and policy, and twentieth-century U.S. urban and philanthropic history. Her book project tells an intellectual history of federal education politics from 1954 to 1994; she interrogates how federal bureaucrats and philanthropists, education researchers and practitioners theorized and developed non-judicial alternatives for large segregated school systems of the North and West untouched by Brown v. Board of Education (1954). Erica holds her BA in History and Psychology from Emory University, and her PhD in History from Harvard University.

Rolando Vargas

Rolando Vargas is a media artist and scholar working with installation and digital media. He is currently based at UVA as a Rising Scholar Postdoctoral Fellow in the departments of Art and Global Studies. He has a BFA in Fine arts from Universidad de los Andes, Colombia, received a Fulbright grant for his MFA in Intermedia and Digital Arts at the University of Maryland, and has a Ph.D. in Film and Digital media from the University of California, Santa Cruz. Rolando’s research «Kuna Indigenous Media and Knowledge in the Darién Tropical Rain Forest» focused on the politics of traversal and terrain, mapping and survival, and the geographies of collective labor and will as modes of indigenous resistance. Rolando has presented his work at Transmediale, the Kassel Documentary Film Festival, SESC Videobrasil, Rencontres Internationales Paris/Berlin, Kunstverein Düsseldof, EMAF, Ficvaldivia, and other international venues. In 2022, he received a Processing Foundation Fellow for promoting the use by Kuna children of P5.js language while reflecting on digital workflows and appropriating digital methods in their terms and world conceptions. You can read more about his latest project in Darién here.

Yingchong Wang

Yingchong Wang is a Mellon Race, Place, and Equity fellow at the School of Data Science. Ying completed her Ph.D. in the Department of Arts Administration, Education, and Policy at the Ohio State University. Prior to her training at OSU, she obtained her master's degree in Arts Management at Carnegie Mellon University and BA in English at Tsinghua University in Beijing. Her research centers on city branding, cultural heritage, and creative placemaking. Additionally, Ying is a cello player. In June 2019, she won first prize at the 20th Osaka International Music Competition for cello in the China region. Throughout her academic journey, she has conducted research and pursued academic opportunities in various countries, including Britain and Italy. Notably, she has also engaged in research at prestigious cultural institutions such as the Palace Museum in Beijing and Lincoln Center.

Christopher Williams

Christopher Williams is Research Assistant Professor of Law and Race, Place, and Equity fellow at the School of Law. He is primarily interested in race, gender, sexuality, and their intersection with constitutional law and criminal procedure. He writes on problems related to the criminal justice system as well as the people who attempt to make the criminal justice system more equitable for communities of color. In doing so, Williams’ research not only attempts to highlight pitfalls in the law but also to provide pathways to make the law more equitable.

His publications have appeared in the University of Chicago Law Review, the Michigan Journal of Law Reform and the Cardozo Journal of Equal Rights. In 2023, he became UVA Law’s second Race, Place, and Equity Fellow. Williams was previously a Neubauer Fellow in the sociology department at the University of Chicago and a Dean’s Merit Scholar at the University of California School of Law, where he chaired the Black Law Students Association. See full profile here.

Alumni RPE Fellows

Mauricio Acuña

Mauricio Acuña is a scholar of Afro-Latin American Studies, and his work focuses on the literatures and cultures of the African Diaspora in the Americas, especially Brazil and Cuba. His research interests includes World Festivals of Black Arts, poetry, fiction, performances and the Afro-Brazilian martial art capoeira. In the next two years, Mauricio will be teaching three courses in the Global Studies Program and Department of Spanish, Italian, and Portuguese, on themes like“Black Global Festivals: Literature and Performance,” “Images of Afro-Latin American Worlds, ”and “Exuzilhar: Crossroads in Afro-Diasporic Cinema,” in which students will engage with artists and create performances, as well as curate images for a visual exhibition. Students interested in learning about African diasporic art, history, and cultural productions in the Global South are encouraged to contact Mauricio now to start planning their schedules.

Ernesto Benitez

Ernesto Benitez holds a PhD in Global and Sociocultural Studies with a concentration in Sociocultural Anthropology from Florida International University (2021). His long-term research is grounded in a decade-long ethnographic engagement with the Amazonian Kichwa (also spelled Quichua) people of Ecuador’s Napo province. He has paid particular attention to the ecotourism boom that occurred in Ecuador’s Upper Amazon in the early 1990s and the impact it has had on the livelihoods and identities of Kichwa people, many of whom have gradually shifted from agricultural and subsistence-based activities to service-based work in ecotourism. His dissertation offers an ethnographic account of how Kichwa tour guides in Napo, the vast majority of whom are young men, negotiate the demands and expectations of the ecotourism industry and how, in the process, they produce and enact new understandings of their ethnic, gendered, and sexual identities.

Publications:

2021-Erazo, Juliet and Ernesto Benitez. “Becoming Politicians”: Indigenous Pageants as Training Sites for Public Life. (Forthcoming on American Anthropologist).

Kat Cosby

Kat Cosby is a Rising Scholars Postdoctoral Fellow in the Women, Gender, and Sexuality Department. They are an interdisciplinary scholar whose work focuses on Black women and their geographies in Brazil in the post-abolition era. Their book manuscript interrogates how the presence and contributions of Black women and the attempts to erase them historically from geographies in São Paulo were essential to the formation and development of the city. Kat examines how criminalizing Black women's presence was crucial to whitening ideology and practices in the early twentieth century.

Kat Cosby received their Ph.D. in History from the University of California, Irvine.

Siddhant Issar (“Sid”)

Siddhant Issar is a Rising Scholar Postdoctoral Fellow in the Department of Politics at the University of Virginia. His research and teaching interests lie in modern and contemporary political theory, the Black Lives Matter movement, and the politics of race, class, and settler colonialism in the US. His work has been published in Contemporary Political Theory, Race & Class, The Black Scholar, and in an edited volume, Creolizing Rosa Luxemburg. Currently, Issar is working on a book manuscript, titled Theorizing Racial Capitalism in the Era of Black Lives Matter. Issar holds a Ph.D. in Political Science from the University of Massachusetts, Amherst and a B.A. and M.A. from Wesleyan University and The Graduate Center, City University of New York, respectively.

Janet Kong-Chow

Janet Kong-Chow is a Rising Scholars Postdoctoral Fellow in American Studies and English at the University of Virginia. Her teaching and research are broadly concerned with diaspora, imperialism, and North American culture, examining overlapping processes of racialization, power, and language. She is committed to interdisciplinary research, specializing in theories of racial capitalism, the environment, disability, postcolonialism, the African diaspora, transnationalism, and legal studies. Her first book project, Securing the Crisis: Race and the Poetics of Risk, considers metaphors of risk as a corollary to 21st century American crisis and racialization. Reading relationally across poetry, photography, ethnography, legislation, film, and sculpture, the project advances the notion of a “poetics of risk” and contends that racialized and minoritized subjects deploy epistemological abstraction and fragmentation not only as resistance, but to rework conventions of periodicity, materialism, and reality we accept as hegemonic. Her second manuscript, Race and Other Accumulative Affects: Hoarding, Curation, and the Modern Archive, locates dispossession, anticipation of emergency, and speculative accumulation as critical affective questions at the intersection of U.S.migration, diaspora, race-making, and cultural preservation. Kong-Chow earned her B.A. in English and History from the University of Pennsylvania and her Ph.D. in English from Princeton University. Her work has been supported by the Andover Institute for the Recruitment of Teachers (IRT) and the Mellon Foundation.

Leticia Ridley

Dr. Leticia L. Ridley's primary teaching and research areas include African American theatre and performance, Black feminisms, Black performance theory, and popular culture. Leticia earned a PhD in Theatre and Performance Studies from the University of Maryland, College Park and her research has been funded by the Ford Foundation (where she was a Predoctoral Fellow) and the Mellon-funded African American Digital Humanities program (AADHum). She has presented her scholarship at numerous conferences including the Association for Theatre in Higher Education, American Society for Theatre Research, National Women’s Studies Association, and the American Studies Association. Leticia has published scholarly essays in Frontiers: A Journal of Women’s Studies, the August Wilson Journal, Routledge Anthology of Sports Plays, Journal of American Theatre and Drama, and Contemporary Black Theatre and Performance: Acts of Rebellion, Activism, and Solidarity (forthcoming). Leticia is also the co-producer and co-host of Daughters of Lorraine, a Black feminist theatre podcast, which is supported by HowlRound Theatre Commons and a recurring co-host on On Tap: A Theatre & Performance Studies Podcast. She is also a freelance dramaturg.  

Leticia’s manuscript-in-progress employs a Black feminist methodology to examine contemporary Black women’s performance culture. Her book, divided into four chapters, analyzes the construction and performance of hypervisibility by Black women artists and entertainers from the United States: the visual art of Carrie Mae Weems, the Broadway musicals dedicated to the lives of Tina Turner and Donna Summer, the visual and sonic disruptions of athlete Serena Williams, and the technological performance praxis of musician Beyoncé Giselle Knowles-Carter. This study argues that contemporary Black women artists utilize the historically contingent and fraught dynamic of hypervisibility as a generative mechanism for Black feminist performance.  

Alexa Rodríguez

Alexa Rodríguez is a Mellon Postdoctoral Research Associate in the School of Education and Human Development. She recently completed her Ph.D. in History and Education at Teachers College, Columbia University. Her dissertation, “‘For the Prosperity of the Nation’: Education and the US Occupation of the Dominican Republic, 1916-1924” uses historical methods to examine the 1916 US occupation of the Dominican Republic to study how US and Dominican stakeholders used public schools to disseminate their notions of Dominican citizenship. She is currently working on a book manuscript, Crafting Dominicanidad, a transnational and intellectual history that examines how Dominican stakeholders used public schools to articulate and circulate competing notions of Dominican racial, class, and national identity during the early twentieth century.